Since its first appearance, Philip Auslander’s ground-breaking book has and courtroom testimony, Liveness offers penetrating insights into media culture. On live performance, Auslander is trying to challenge the ideas of the traditional value of liveness. Performers in theatre cling to “the magic of. PDF | On Mar 1, , Dean Wilcox and others published Liveness: Performance in a Mediatized Culture. By Philip Auslander. London & New York: Routledge.
|Published (Last):||21 August 2009|
|PDF File Size:||15.28 Mb|
|ePub File Size:||15.8 Mb|
|Price:||Free* [*Free Regsitration Required]|
Selected pages Title Page. Anthony rated it it was amazing Nov 18, Kera rated it it was ok Jan 27, What is the status of live performance in a culture dominated by mass media? I think Auslander takes an innovative and smart approach to this topic, but I don’t completely buy his argument that media have the same ontological status as live performance in that they disappear at a partic Auslander makes some interesting arguments for rethinking the concept of liveness in a society that has grown up on auslandeer.
Auslander opens by comparing theatre and media, referencing Herbert Blau and Karl Marx. Mediatization livenrss be applied to live performances, by which they become mediatized performances, for example, a play or event broadcast on TV.
Ausander specific ability to position itself as theatre’s replacement originates in the claims of immediacy made on behalf of television throughout its development, and in its claim to replicate theatrical discourse. What is true of the relationship between television and theatre is equally piveness, by allegorical extension, of the general cultural relationship of the televisual and mediatized to the live: He would beat around the bush for pages before he finally made his case.
Auslander references Jacques Attali on representation as a method compared to repetition.
By looking at specific instances of live performance such as theatre, rock music, sport and courtroom testimony, Liveness offers penetrating insights into media culture. The Burning Man festival is a case in point–an event featuring performance that is itself a performance, which partakes simultaneously of livenesz mythology, a counter-cultural impulse, and popular cultural visibility.
Looking at specific instances of live performance such as theatre, rock music, sport, and courtroom testimony, Liveness offers penetrating insights into media culture, suggesting that media technology has encroached on live events to the point where many are hardly live at all. It’s impossible to say that live art enjoys any single status in the information age–there are versions of live art that are still primarily art-world phenomena, others that ayslander to much broader audiences.
By looking at specific instances of live performance such as theatre, rock music, sport and courtroom The polemical aspects are less intrusive. Interesting book, somewhat provocative, but quite frankly I found its writing organization and explanation-style a bit stilted. Open Preview See a Problem?
Leila rated it really liked it Nov 05, Essays in Modernism and Postmodernism. It is a point well taken.
In this new edition, the author thoroughly updates his provocative argument to take into account new digital and media technologies, and cultural, social and legal developments. Live Performance in a Mediatized Culture Initially, media events were modeled on live ones.
Liveness: Performance in a Mediatized Culture by Philip Auslander
Since its first appearance, Philip Auslander’s ground-breaking book has helped to reconfigure a new area of study. To view it, click here. Account Options Sign in. Preview — Liveness by Philip Auslander.
Auslander concludes this section with the claim that the system of the virtual has incorporated liveness into its substance. Nevertheless, there is an ethical imperative not to conflate the body with its representations and mediations, but to remember that there is an actual body there somewhere, experiencing the consequences of what is being done to it.
Susan rated it it was amazing Jun 26, And it’s hard to care about discussions of rock concerts and other kinds of televised performance aren’t contextualized in terms of all of the performance we are all doing with our digital auslanedr. Browse by subject Browse luveness author.
Liveness: Performance in a Mediatized Culture
Jeff rated it liked it Jan 27, In lieu of an abstract, here is a brief excerpt of the content: An interesting critique of the line between live performance and mediatized, aka performance on televison or screen. Routledge- Performing Arts – pages. However, I do think he is right in suggesting that we need to critically rethink the privileging of live performance as something better or more authentic in performance studies.
Thanks for telling us about the problem. Critical Concepts, a reference collection in four volumes published by Routledge in zuslander, with Lliveness Sandahl, co-editor of Bodies in Commotion: You must be logged in to post a comment.
This provocative book tackles some of the enduring ‘sacred truths’ surrounding the high cultural status of the live event. But there is also a crucial difference: This is partly a perceptual matter: Just a moment while we sign you in to your Goodreads account. auslwnder